When seven sudha swaras are kept, written or sung in the systematic order then it is called as saptak (octave). That is “Sa Re Ga Ma Pa Dha Ni”. Madhya Saptak is nothing but medium octave.
Showing posts with label madhya. Show all posts
Showing posts with label madhya. Show all posts
Tuesday, 26 August 2014
Madhya Lay Khayal
In Hindustani Classical Music raagas three type of compositions are prominent, Slower composition, medium composition, and fast composition. The medium composition of the raag is called Madhya lay khyal.
Wednesday, 16 July 2014
Saptak
SAPTAK (Octave)
According to the Indian theory of music there
are three ranges of the
human voice, which are low, medium and high pitch. These pitches when identified with notes in music called Saptaka or a group of seven Shuddha notes. These seven notes also includes four komal and one Tivra Swara. The human voice is differentiated under these three ranges:
1.
Madhya
Saptaka (Medium Octave) — When the sound naturally
comes out of the throat without any pressure, it is called the throat voice. The Medium octave or
Madhya Saptaka.
2.
Mandra
Saptaka (Lower Octave)
— When the sound comes out
entirely by the pressure of the lungs, it is called the chest voice or Mandra Saptaka (Lower
Octave). In this Saptaka the pitch of
the sound is lower than the medium octave.
3.
Taar Saptaka (Upper Octave) — When the sound is produced with the exertion of force on the
nostrils and head, called the head voice or Tar
Saptaka (Upper Octave). The pitch or sound is
higher than that of the medium
octave.
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